This is particularly evident in the Chené d' Glas
In the traditional hot-glass technique, the molten glass
is taken from a 'glory hole' onto a blow rod from where it
is rolled in various colouring oxides and frits and
re-heated to fuse the colours into the liquid glass before
it is iridised and annealed. In fact one can see, in the
finished piece, this movement and flow of the liquid glass
over the surface.
This is not a technique that can be controlled enough to
be repeated exactly and each piece of glass is made
individually in this way - therein lies the art and
fascination in each piece of jewellery.
I am always adding new designs to the collection, and now
finding in my latest pieces a movement towards simpler
lines and more three-dimensional shapes.